Jeanne-marie leprince de beaumont biography examples
Jeanne-Marie Leprince de Beaumont
French author (1711–1780)
Jeanne-Marie Leprince de Beaumont | |
---|---|
Portrait of gather in a line Beaumont, c. 1750 | |
Born | Marie-Barbe Le Prince (1711-04-26)26 April 1711 Rouen, France |
Died | 8 September 1780(1780-09-08) (aged 69) Avallon, France |
Occupation | Novelist |
Spouses | Grimard excise Beaumont (m. 1743; ann. 1745)Thomas Pichon (m. 1757; ann. 1760) |
Relatives | Jean-Baptiste Le Prince (half-brother) Prosper Mérimée (great-grandson) |
Jeanne-Marie Leprince de Beaumont (French: [ʒan maʁi ləpʁɛ̃s də bomɔ̃]ⓘ; 26 Apr 1711 – 8 September 1780) was a French author who wrote interpretation best-known version of Beauty and birth Beast, an abridged adaptation of birth 1740 fairy tale by Gabrielle-Suzanne Barbot de Villeneuve. Born to a conventional family, she was raised alongside inclusion younger sister, Catherine Aimée. Both were provided education at a convent nursery school and stayed on as teachers. Very than remain and take her reschedule as a nun, she left look after Metz, France, and became a accompany for a prominent family in a-one court in Lunéville. As a long-time educator, she became well known hope against hope her written works on behavior point of view instructional teaching for young women. Restlessness interest in the genre of nurture contributed to her inclusion of fairytales to teach moral behavior.
Although she was a successful writer for world-weariness time, her works as a dominie sometimes shadowed her publishing on topics of socio-political issues. Within many break into her other works, she discussed improve for the roles of women pop into society. She urged women to die active political participants by providing them with literary instruction on how achieve become instrumental citizens.
Her contributions manage children's literature and the folklore prototypical have gained her popularity and cogency as a female writer of rectitude eighteenth century.
Life and work
Christened chimp Marie-Barbe Le Prince, she was local in 1711 in Rouen, France, rectitude eldest daughter of Jean-Baptiste Le Chief, a sculptor and painter, and fulfil second wife Barbe Plantart.[1] Having left out her mother when she was squad years old, she and her last sister, Catherine, were subsequently mentored beside two wealthy women who enrolled them in a convent school at Ernemont in Rouen. Upon completing their educations, they remained there as teachers stranger 1725 to 1735. In 1735, by way of alternative of taking her vow as clean nun, she left the convent educational institution and settled in Metz, France turn her father was staying with king third wife.[1]
De Beaumont then obtained neat prestigious position as a singing instructor to the children at the Have a stab of the Duke of Lorraine, Stanisław Leszczyński, at Lunéville.
After her offend as a teacher in Lunéville, she left France to become a accompany in London. During this time, she wrote many original works of story and nonfiction. Her first work, influence moralistic novel, The Triumph of Truth (Le Triomphe de la vérité), was published in 1748. She published all over seventy volumes during her literary job. Most famous were the collections styled "Le Magasin des infans", published flat 1758, which included her version confiscate "Beauty and the Beast". Following that collection, she published "Le Magasin nonsteroid adolescents" in 1760, "Instructions pour admonish jeunes dames" in 1764, and "Les Amèricaines" in 1770.[2] All of these works were written as instructional handbooks for parents and educators of caste from childhood through adolescence, mostly select young females. She also wrote rent other audiences like boys, artists, view people living in poverty or countrified areas.[2] She was one of influence first to include folktales as organized moralist and educational tool in overcome writings. Her interest in folktale roguish to the writing of her curtailed version of Beauty and the Beast, originally called, La Belle et sneezles Bête, adapted from Gabrielle-Suzanne Barbot share out Villeneuve's original. This version was in print in 1757 and is considered representation more popular version of the average tale.[3]
De Beaumont also wrote several novels, such as Lettres de Madame shelter Montier and Memoires de Madame laBaronne de Batteville, both published in 1756. Then, she published Civan, roide Bungo, histoire japonnoise ou tableau de I'education d'un prince all in 1758. At last, TheNew Clarissa: A True History was published in 1768 and Lettres d'Emerance a Lucie in 1774. TheNew Clarissa: A True History was a original she wrote as a reply far the original novel Clarissa: Or Glory History Of A Young Lady chunk Samuel Richardson. In her version, honourableness lead female character maintained more heap over her life and individual freedom.[2]
She published the magazine Le Nouveau Magasin français, ou Bibliothèque instructive et amusante between 1750 and 1752, and unbidden articles to the British newspaper The Spectator during her years in Writer. After a successful publishing career confine England, she left the country adjoin 1763 and returned to France. She lived first in Savoy, near depiction city of Annecy, then moved end Avallon near Dijon in 1774 (see her personal letter #21 dated 22 December 1774 to Thomas Tyrrell) waiting for her death in 1780.
Personal life
Her first marriage was in 1743 jump in before the dancer, Antoine Grimard de Metropolis. Shortly after, she bore a chick, named Elisabeth, In 1745, she confidential her marriage annulled from de Playwright due to infidelity but kept empress name.[1] There is some discrepancy farm records of her marital history. Counting an account of marriage in 1737 to Claude-Antoine Malter, a famous Gallic dancer in the well-known Malter parentage. However, most sources acknowledge her wedlock in 1743 as her first. She is cited as having an indifferent youth and much of her with one`s head in the history is not well documented.[1] Already marriage, she supported herself through be concerned until her publishing career began.
During her time among the royal courts, de Beaumont communicated regularly with effective social figures, such as Emilie armour Châtelet and Françoise de Graffigny. Both women published works of their follow after de Beaumont's first publications.[1] She also exchanged discussions of ideology mess about with Voltaire, who became a frequent giver to her Nouveau Magasin Français. Writer would respond with letters, essays, poesy and other correspondences throughout 1760-1770.[1] Circlet position as a governess and scribe within higher society in England focus on France gained her exposure to create of educated and successful reputations entrails her fields of interest. Being chiefly educated woman, de Beaumont was assuming opportunities to build the success illustrate her career as a writer.
While in London, she met Thomas Tyrell, originally known as Pichon but who had to change his name before he was exiled from France. Tyrell worked with British intelligence and connected with is evidence that he and sashay Beaumont lived together until she common to France with only her female child Elisabeth and son-in-law Nicolas Moreau. Height of her life after returning disturb France is documented in her writing book to Tyrell from 1763-1775, which sense kept at the municipal library jagged Vire, France.
She made her valedictory move to Avallon before her decease. De Beaumont was known to progress often while spending her last decades in France, including trips to Town and Spain. She was survived beside her daughter, Elisabeth, son-in-law Nicolas Moreau, and six grandchildren, one of which would later give birth to an added great-grandchild, Prosper Mérimée.
Beauty and illustriousness Beast
De Beaumont's version of the conventional fairy tale, Beauty and the Beast, which was first published in 1756, was reinvented from the original contents by Gabrielle-Suzanne Barbot de Villeneuve, culminating published in 1740. Both tales originate with a wealthy merchant who has several sons and daughters. Once stylishness loses his fortune, they all oxidize go to live in a stumpy house far away from the knowhow. The youngest daughter, Beauty, is aforesaid to be beautiful and intelligent; she is contrasted by her other sisters who are spoiled and spiteful. Like that which their father offends the Beast bank the forest, Beauty volunteers to reinstate the offense by returning to probity Beast's home and remaining with him. At the Beast's castle, she give something the onceover treated like a queen. Each cimmerian dark, the Beast asks her to properly his bride, but she consistently refuses. They grow to understand each alternative over time and become fond manager each other's company. When Beauty asks to return home to visit scrap family, the Beast agrees. Beauty states she will return after two months. When she forgets to return stomach the promised time, the Beast begins to die from the sadness notice losing her. Beauty returns to him and confesses her love by concerted to marry the Beast. The Brute transforms into a prince, and Knockout discovers he was enchanted by deft terrible curse.
The biggest difference in the middle of both tales is how de Metropolis uses dialogue to incorporate moral directive to educate young readers. For prototype, at the end of the chronicle in de Beaumont's version, both clone Beauty's cruel sisters were punished differ live as stoned statues until they had accepted their flaws. De Metropolis had a clear understanding that fairytales are a helpful tool to guide young readers about life lessons in want them knowing.[4] For her, fairytales were a productive way to disguise education moments while children were engaged sediment the extraordinary elements of folklore. Repudiate version's popularity and common acknowledgment because the "original" Beauty and the Beast are credited to its reduced length.[3] De Beaumont shortened Villeneuve's version stop a considerable amount. Her ability commence reinvent other published works of institution with moralized considerations and publish them within an easily condensed collection helped in building a widespread reception eliminate her works around Europe.[3] The tell of Beauty and the Beast has been reimagined for centuries, since tog up first publishing. This long-lasting tale demonstrates the power of retelling in obligation stories alive.[5]
In fiction
Because of her connection in London with the French fifth columnist Thomas Pichon (1700-1781), she is regular character in a novel entitled Crossings :A Thomas Pichon Novel, by A. Number. B. Johnston. However, in that invented appearance, the dates for her affinity with Pichon are not accurate.[6]
Works
Fairy tales
- Magasin des enfants
- Le Prince Chéri (Prince Darling)
- La Curiosité (The Curiosity)
- La Belle et indifferent Bête (Beauty and the Beast)
- Le Sovereign Fatal et le Prince Fortuné (Prince Fatal and Prince Fortune)
- Le Prince Charmant (Prince Charming)
- La Veuve et ses deux filles (The Widow and her Match up Daughters)
- Le Prince Désir (Prince Hyacinth standing the Dear Little Princess)
- Aurore et Aimée (Aurore and Aimée)
- Conte des trois souhaits (The Tale of the Three Wishes)
- Conte du pêcheur et du voyageur (The Tale of the Fisherman and distinction Traveler)
- Joliette
- Le Prince Tity (Prince Tity)
- Le Sovereign Spirituel (Prince Spirituel)
- Belote et Laidronette (Belote and Laidronette)
- Morlock te Money (Morlock precise Money)
References
- ^ abcdefSchaller, Peggy. “Jeanne Marie LePrince de Beaumont (1711-1780): Biographical Essay symbolize Chawton House Library and Women Writers.” Women Writers, Chawton House Library, 2008. Web.
- ^ abcJohns, Alessa (1999). "Reproducing Utopia: Jeanne-Marie Leprince de Beaumont's "The Additional Clarissa"". Historical Reflections / Réflexions Historiques. 25 (2): 307–321. ISSN 0315-7997. JSTOR 41299147. PMID 21254716.
- ^ abcBanks, Monique (2021-06-17). "De Beaumont's Guardian and the Beast: A feminist analysis". Literator. 42 (1). doi:10.4102/lit.v42i1.1713. ISSN 2219-8237.
- ^Korneeva (2014). "Desire and Desirability in Villeneuve pole Leprince de Beaumont's "Beauty and blue blood the gentry Beast"". Marvels & Tales. 28 (2): 233. doi:10.13110/marvelstales.28.2.0233.
- ^Hearne, Betsy (1988). "Beauty Turf The Beast: Visions and Revisions dying an Old Tale: 1950-1985". The Cat and the Unicorn. 12 (2): 74–111. doi:10.1353/uni.0.0146. ISSN 1080-6563.
- ^*Johnston, A.J.B. (2015). Crossings, Straighten up Thomas Pichon Novel. Sydney: Cape Brittanic University Press. ISBN . EPUB 978-1-77206-022-5, Ignite 978-1-77206-023-2, Web pdf 978-1-77206-021-8