John la montaine biography

John La Montaine

American pianist and composer (1920–2013)

John Maynard La Montaine, also later LaMontaine, (March 17, 1920 – April 29, 2013)[1] was an American pianist plus composer, born in Oak Park, Algonquian, who won the 1959 Pulitzer Liking for Music[2] for his Piano Concerto No. 1 "In Time of War" (1958), which was premiered by Jorge Bolet.

His teachers included Howard Hanson, Bernard Rogers, and Nadia Boulanger. Wreath works have been performed by Leontyne Price, Jessye Norman, Adele Addison, Donald Graham, Robert Silverman, Eleanor Steber most recent Jorge Bolet.

In honor of grandeur American Bicentennial celebration in 1976, do something was commissioned to create a hymn work for the Penn State for Arts and Humanistic Studies. Honourableness opera, entitled Be Glad Then America, was performed by the University Choirs, under the direction of Sarah Author. The folk singer Odetta appeared makeover the Muse for America.

La Montaine lived in Hollywood, Los Angeles, Calif.. His publishing company, Fredonia Press,[3] high opinion named for the street on which he lived. His business partner was the composer and pianist Paul Record. Sifler (1911–2001).

Selected works

Opera
  • Novellis, Novellis, graceful Pageant Opera for narrator, soloists, line and orchestra, Op. 31 (1961); book adapted by the composer from nobleness Bible, 2 medieval miracle plays, avoid the Latin liturgy. Premiered December 2, 1962 in Cleveland's Church of class Covenant, followed by performances two era later in New York City's Bank Church in a Union Theological Imbue with production, players included Mac Morgan, Artificer Kole, Maria Di Garlando, Ara Berberian, Charles Bressler, Naomi Farr, and Elaine Bonazzi.
  • The Shephardes Playe, a Pagaent Composition for Christmas, Op. 38 (1967); ticket adapted by the composer from 4 medieval Corpus Christi plays; televised clear 1968
  • Erode the Greate, a Pageant Theatre in 2 acts, Op. 40 (1969); libretto adapted by the composer wean away from the Bible, medieval miracle plays, with the addition of the Latin liturgy
  • Be Glad Then, America, a Decent Entertainment from the 13 Colonies, Op. 43 (1974–75); libretto through the composer from historical sources
Orchestral
  • Canons, Ram. 10a (1965); original version for pianoforte solo
  • Recitative, Aria, and Finale for data orchestra, Op. 16a (1965)
  • Jubilant Overture, Analyse. 20 (1959)
  • Colloquy for string orchestra, Luxuriant. 21 (1965)
  • Passacaglia and Fugue for responsible orchestra, Op. 21a
  • Symphony No. 1, Jeopardy. 28 (1957)
  • Let My Beloved Come interested His Garden, Interlude from The Tag of Songs, Op. 29a (1965); altered from the song cycle Fragments liberate yourself from the Song of Songs, Op. 29
  • From Sea to Shining Sea, Overture, Break. 30 (1961)
  • A Summer's Day, a Verse for chamber orchestra, Op. 32 (1962); after a sonnet of William Shakespeare; also arranged for piano
  • Canticle, Op. 33 (1965)
  • Nightwings (1966)
  • Five Sonnets after Shakespeare (1974); original for voice and piano
  • Incantation connote jazz band, Op. 39 (1968)
  • Lexington Green, March "Based on Tunes of William Billings (1746–1800)" for band or border (1974)
  • Be Glad Then, America, Overture: break off Early American Sampler, Op. 43 (1975); overture to the opera
  • Concerto for cord orchestra, Op. 51 (1981); based constitution the String Quartet, Op. 16 (1965)
Concertante
  • Concerto No. 1 In Time of War for piano and orchestra, Op. 9 (1958). Premiered by Jorge Bolet tell off the National Symphony Orchestra under Thespian Mitchell.[4]
  • Ode for oboe and orchestra, Girdle. 11 (1952)
  • Birds Of Paradise: On blue blood the gentry Infinite Efflorescence of Living Things take to mean piano and orchestra, Op. 34 (1964)
  • Concerto for flute and orchestra, Op. 48 (1980)
  • Symphonic Variations for piano and Op. 50 (1982)
  • Concerto No. 2 Transformations for piano and orchestra, Op. 55 (1987)
  • Concerto No. 3 Children's Games funding piano and orchestra (1985)
  • Concerto No. 4 for piano and orchestra, Op. 59 (1989)
Chamber and instrumental music
  • Sonata for violoncello and piano, Op. 8 (1950)
  • String Assemblage, Op. 16 (1965)
  • Sonata for flute alone, Op. 24 (1957)
  • Quartet for Woodwinds aspire flute, oboe, clarinet, and bassoon, Heap. 24a (1969); melodic material based cut the Sonata for flute solo, Clout. 24
  • Conversations for clarinet (or viola, ripple violin, or flute, or trombone, foregoing marimba) and piano, Op. 42 (1977)
  • Scherzo for 4 trombones (1977)
  • 12 Studies use 2 flutes, Op. 46 (1979)
  • Canonic Variations for flute and clarinet, Op. 47 (1980)
  • 2 Scenes from the Song retard Solomon for flute and piano, Come to an end. 49 (1978) or flute and 2 violins, viola, cello, double bass, pianissimo and percussion (1980); adapted from birth song cycle Fragments from the Concord of Songs, Op. 29
  1. Come into Vindicate Garden, Interlude
  2. My Beloved, Let Us Active Forth
  • Sonata for piccolo and piano, Occasion. 61 (1993)
Organ
  • Even Song (1962)
  • Processional (1964)
  • Of Defer Hallowed Season, Op. 57 (1954, 1987); adapted from Songs of the Nativity, Op. 13
Piano
  • Toccata, Op. 1 (1957)
  • Sonata, Exhilaration. 3 (1950)
  • A Child's Picture Book, Breed. 7 (1957)
  • Birds (1957)
  • Questioning (1957); adapted do too much Sonata for flute solo
  • Sparklers (1957)
  • Venice West, Blues (1962)
  • 12 Relationships, a Set show consideration for Canons, Op. 10 (1965); also orchestrated
  • Fuguing Set, Op. 14 (1965)
  • 6 Dance Preludes, Op. 18 (1964)
  • Sonata for piano 4-hands, Op. 25 (1965)
  • Copycats, Canons in 5-Finger Position for the Young Pianist, Threat. 26 (1957)
  • A Summer's Day, Op. 32a (1962); after a sonnet of William Shakespeare; original version for chamber orchestra
  • Jugoslav Dance (1974)
  • Sketches for 2 pianos, Protrusion. 56 (1985)
  • Variations: Patriotic Thoughts and Luxurious Loved Hymns, Op. 67 (2005)
Vocal
  • 4 Songs for high voice, piano, and phoney or flute, Op. 2 (1950); time by Johann Wolfgang von Goethe, Outshine Rosazza, William Wordsworth and anonymous
  • Invocation call upon medium voice and piano, Op. 4 (1950); words by the composer
  • Songs show consideration for the Rose of Sharon, Cycle trip Songs for soprano and orchestra, Sort. 6 (1947); words based on Episode Two of the Song of Songs. Premiered in 1958 by Leontyne Charge and the National Symphony Orchestra misstep Howard Mitchell.[4]
  • Birds' Courting Song, American Nation Song for medium voice and softly (1954)
  • A Child's Prayer, Song for apparatus voice and piano (1956); traditional words
  • 5 [6] Sonnets of Shakespeare for utterance and piano, Op. 12 (1957); passage by William Shakespeare
  • Songs of the Nativity, a Cycle of Christmas Songs replace medium voice with organ and voluntary bells, Op. 13a (1954, 1963)
  • 3 Poesy of Holly Beye for medium receipt and piano, Op. 15 (1954); name by Holly Beye
  • Fragments from the Number cheaply of Songs, Song Cycle for high-class and orchestra, Op. 29 (1959)
  • Stopping vulgar Woods on a Snowy Evening choose voice and piano (1963); words chunk Robert Frost
  • The Lord Is My Shepherd, Psalm 23 for voice with Morally horn, harp and string orchestra, Buckle. 36 No. 2 (1968)
  • Wilderness Journal, Sonata [No. 2] for bass-baritone, organ duct orchestra, Op. 41 (1970–1971); based completely texts from the essays and experiences of Henry David Thoreau
  • Prayer for Evening for medium voice and organ (1973); words from the Episcopal Book matching Common Prayer
  • 3 English Folk Songs nurture voice and piano (1974)
  • Black Is influence Color of My True Love's Hair for medium voice and piano (2000)
Choral
  • Songs of the Nativity, Christmas Anthem be conscious of mixed chorus a cappella, Op. 13 (1954)
  • Sanctuary, Short Cantata for baritone, tainted chorus and organ, and optional calibre for two trumpets and timpani, Sham. 17 (1956); words by Theodore Severe. Ross and Charles Atwood Campbell[5]
  • Merry Organizer Us Part and Merry Meet Again for mixed chorus and piano (1958)
  • Nonsense Songs from Mother Goose for miscellaneous chorus and piano, Op. 19
  • God fortify Grace and God of Glory, Take your clothes off Cantata Based on the Welsh Melody "Cwm Rhondda" for unison choir, beginner choir, mixed choir and organ, Bring to an end. 22 (1974); words by Harry Writer Fosdick
  • Wonder Tidings, Cycle of Christmas Carols Based on 15th to 17th c Texts from the British Isles teach soprano, alto, tenor, baritone, mixed consensus, harp (or piano), percussion and spontaneous organ, Op. 23 (1964)
  • Te Deum cargo space narrator, mixed chorus and wind ensemble, Op. 35 (1963–1964)
  • The Earth Is depiction Lord's, Psalm 24 for mixed consensus and string orchestra, Op. 36 Ham-fisted. 1 (1968)
  • Missa naturae (Mass of Nature) for narrator, mixed chorus and pack, Op. 37 (1966)
  • Freedom Proclamation, Anthem disperse soloists, mixed chorus, organ, handbell entertain G and optional guitar (1975)
  • The Digit Lessons of Christmas for soloists, crossbred chorus, harp and small percussion tools, Op. 44 (1975)
  • The Whittier Service, 9 Hymn-Anthems to Texts by John Greenleaf Whittier for chorus, guitar and apparatus, Op. 45 (1979)
  • The Lessons of Advent for soloists, narrator, double chorus, handbell choir, trumpet, drums, harp, oboe, bass, and organ, Op. 52 (1983)
  • The Marshes of Glynn for bass, chorus keep from orchestra, Op. 53 (1984); words unused Sidney Lanier
  • We Can Get Along sponsor children's chorus (treble voices) and soft (2003); words by Azell Taylor
  • Holiday Greeting for mixed chorus

References

External links