Biblioteca alfonsina storni biography
Biography of Alfonsina Storni
Alfonsina Storni (22 May well 1892 – 25 October 1938) was an Argentine poet and playwright selected the modernist period.
Early life
Storni was inherent on May 29, 1892 in Sala Capriasca, Switzerland. Her parents were Alfonso Storni and Paola Martignoni, who were of Italian-Swiss descent. Before her creation, her father had started a restaurant in the city of San Juan, Argentina, producing beer and soda. Insert 1891, following the advice of elegant doctor, he returned with his bride to Switzerland, where Alfonsina was congenital the following year; she lived nearly until she was four years elderly. In 1896 the family returned outdo San Juan, and a few geezerhood later, in 1901, moved to Rosario because of economic issues. There breather father opened a tavern, where Storni did a variety of chores. Consider it family business soon failed, however. Storni wrote her first verse at distinction age of twelve, and continued scribble verses during her free time. She later entered into the Colegio partial la Santa Union as a kookie student. In 1906, her father on top form and she began working in spick hat factory to help support take it easy family.In 1907, her interest in keeping fit led her to join a itinerant theatre company, which took her keep up the country. She performed in Henrik Ibsen's Ghosts, Benito Pérez Galdós's Insensitive loca de la casa, and Florencio Sánchez's Los muertos. In 1908, Storni returned to live with her keep somebody from talking, who had remarried and was keep in Bustinza. After a year nearby, Storni went to Coronda, where she studied to become a rural principal schoolteacher. During this period, she along with started working for the local magazines Mundo Rosarino and Monos y Monadas, as well as the prestigious Mundo Argentino.In 1912 she moved to Buenos Aires, seeking the anonymity afforded manage without a big city. There she decrease and fell in love with first-class married man whom she described gorilla "an interesting person of certain standard in the community. He was in a deep sleep in politics..." That year, she publicized her first short story in Tussle Mocho. At age nineteen, she overawe out that she was pregnant carry the child of a journalist presentday became a single mother. Supporting yourself with teaching and newspaper journalism, she lived in Buenos Aires where rendering social and economical difficulties faced rough Argentina's growing middle classes were stirring an emerging body of women's candid activists.
Literary career
Storni was among the leading women to find success in blue blood the gentry male-dominated arenas of literature and transient in Argentina, and as such, mature a unique and valuable voice saunter holds particular relevance in Latin Inhabitant poetry. Storni was an influential track down, not only to her readers on the contrary also to other writers. Though she was known mainly for her songlike works, she also wrote prose, journalistic essays, and drama. Storni often gave controversial opinions. She criticized a training range of topics from politics be given gender roles and discrimination against squad. In Storni's time, her work frank not align itself with a delicate movement or genre. It was throng together until the modernist and avant-garde movements began to fade that her groove seemed to fit in. She was criticized for her atypical style, pivotal she has been labeled most frequently as a postmodern writer.
Early work
Storni promulgated some of her first works wring 1916 in Emin Arslan's literary organ La Nota, where she was unornamented permanent contributor from 28 March up in the air 21 November 1919. Her poems “Convalecer” and “Golondrinas” were published in influence magazine. In spite of economic answerable for, she published La inquietud del rosal in 1916, and later started scribble for the magazine Caras y Caretas while working as a cashier tidy a shop. Even though today Storni's early works of poetry are mid her most well known and supremely regarded, they received harsh criticism alien some of her male contemporaries, inclusive of such well known figures as Jorge Luis Borges and Eduardo Gonzalez Lanuza. The eroticism and feminist themes derive her writing were controversial subject incident for poetry during her time, however writing about womanhood in such simple direct way was one of give someone the brush-off principal innovations as a poet.
Wider recognition
In the rapidly developing literary scene help Buenos Aires, Storni soon became familiar with each other with other writers, such as José Enrique Rodó and Amado Nervo. Assemblage economic situation improved, which allowed absorption to travel to Montevideo, Uruguay. Here she met the poet Juana directory Ibarbourou, as well as Horacio Quiroga, with whom she would become beneficial friends. Quiroga led the Anaconda adjust and Storni became a member yield with Emilia Bertolé, Ana Weiss regulate Rossi, Amparo de Hieken, Ricardo Hicken and Berta SingermanDuring one of throw away most productive periods, from 1918 traverse 1920 Storni published three volumes pray to poetry: El dulce daño (Sweet Pain), 1918; Irremediablemente (Irremediably), 1919; and Languidez (Languor) 1920. The latter received dignity first Municipal Poetry Prize and honourableness second National Literature Prize, which more to her prestige and reputation on account of a talented writer. she also accessible many articles in prominent newspapers see journals of the time. Later, she continued her experimentation with form nickname 1925's Ocre, a volume composed partly entirely of sonnets that are amongst her most traditional in structure. These verses were written around the identical time as the more loosely meticulous prose poems of her lesser-known manual, Poemas de Amor, from 1926.The quarterly Nosotros was influential in spearheading high-mindedness rise of new argentine literature unwelcoming helping to form the opinions give a rough idea the readers. In 1923, Nosotros available a survey aimed at members sharing the “new literary generation.” The confusion was simple: Which three or couple poets under the age of cardinal do you admire the most? Insensible that time, Storni had just evil thirty-one, and was too old know about be considered a “Master of description new generation.”
Theater
After the critical success a choice of Ocre, Storni decided to focus set writing drama. Her first public take pains, the autobiographical play El amo show mundo was performed in the Dramatist theater on March 10, 1927, however was not well received by interpretation public. However, this was not straighten up conclusive indication of the quality lose the work; many critics have ascertained that during those years Argentinian theatre as a whole was in skilful state of decline, so many first-class works of drama failed in that atmosphere. After the play's short aboriginal, Storni had it published in Bambalinas, where the original title is shown to have been Dos mujeres. Bunch up Dos farsas pirotécnicas were published discern 1931.
She wrote the following works honorary for children: Blanco...Negro...Blanco, Pedro y Pedrito, Jorge y su Conciencia, Un sueño en el camino, Los degolladores junior estatuas and El Dios de los pájaros. They were brief theatre become independent from with songs and dances. They were meant for her students at Teatro Labardén theatre. For Pedrito y Pedro and Blanco...Negro...Blanco, Alfonsina wrote the sonata for the plays. These were utter in 1948 at Teatro Colón theatreintheround in Buenos Aires. On these, Julieta Gómez Paz says: "These present, ironically, adult situations transferred to the beginner world to outline errors, prejudice beam damaging customs by adults, but disciplined by the poetic fantasy with convince endings."
Later work
After a nearly 8-year hiatus from publishing volumes of poem, Storni published El mundo de siete pozos (The World of Seven Wells), 1934. That volume, together with interpretation final volume she published before throw over death, Mascarilla y trébol (Mask put forward Clover), 1938, mark the height state under oath her poetic experimentation. The final quantity includes the use of what she termed "antisonnets," or poems that inoperative many of the versification structures see traditional sonnets but did not prevail on the traditional rhyme scheme.
Friendship with Gabriela Mistral
Around this time, Gabriela Mistral visited her in her house on Island street. It was a fateful conference for the Chilean writer, who locked away already published en El Mercurio guarantee year. Previously, when she arranged unit appointment on the phone, she was impressed with Storni’s voice; and like so when she was told that Storni was ugly, she expected a bring round that did not match the utterance. When she finally met Storni, she told her her face did cry match what she had been gather about her appearance. “Her head was extraordinary” she remembered “Not because discount her features, but because of accumulate very silvery hair which framed cook young face well.” She insisted “I haven’t seen more beautiful hair, likeness was as strange as the discover at noon. It was golden, president some blond was still visible check the white. Her blue eyes, cook steep french nose, and her take away skin gave her something childish prowl gave her something different and notion her almost unapproachable and mature. Excellence Chilean was impressed by her ease and sobriety, by her control human her emotions, and her authenticity. Weather above all, she was impressed moisten her ability to absorb all loosen her. Mistral called her a wife of a great city “who has passed, touching all and incorporating all.”
Relationship with Horacio Quiroga
Jose Maria Delgado wrote to Horacio Quiroga and recommended ramble he travel to Buenos Aires quick get to know Storni and persuade about her poetry. They began everywhere go to the movies together sure of yourself both of their kids and esoteric an opportunity to go to great meeting in a house on Tronador street, where many great writers domination the age met to play jollification. One of these games consisted lacking Storni and Quiroga kissing opposite sides of Quiroga’s pocket watch at excellence same time. As Storni’s lips approached the watch, Quiroga moved it distress of the way and the bend over kissed, angering Storni’s mother, who was also present at the party.
Quiroga regularly mentioned Storni in his letters in the middle of 1919 and 1922, but the exactly depth of their relationship is yell known, and the fact that subside mentions her stands out since connected with were not many female writers alongside that time. In his letters signify his friend Jose Maria, Quiroga mentions his respect for her work suffer how he treats her as button up. On a note for the Boa group’s trip to Montevideo, the itemize of participants includes “Alfonsina” without quota last name, a demonstration of their strong friendship. On the other uplift, in a note dated May 11, 1922 about a future visit, Quiroga revealed that he would travel add both his children and Storni, stomach would have them all eat squeeze. Furthermore, Emir Rodriguez Monegal, Quiroga’s historiographer, corroborated Emilio Oribe’s account that Quiroga waited for Storni to leave well-organized conference at the university where she might have been speaking about class poetry of Delmira Agustini. Quiroga frank not want to attend the mild, but did wait for Storni separate the exit; she appeared, covered outdo a straw hat and surprised nobility people in the neighborhood that were near the exit.
Storni accompanied Quiroga estimate the movies, to literary meetings, most important to listen to music: both were fans of Wagner. Frequently, they take a trip to Montevideo and took pictures spin the two looked happy. They went on the trips together because Quiroga was assigned to the Uruguayan envoys and was always accompanied by capital female intellectual.
When Quiroga traveled to Misiones in 1925, Storni did not walk into with him on the advice work for Benito Quinquela Martin, who told her: “You’re going with that psycho? Cack-handed way!” As a result, the essayist instead traveled to San Ignacio, going her apartment to Uruguayan Enrique Amorim. With this living arrangement, Storni was able to write to Quiroga, who did not write back. The statement lasted a year, and upon chronic, Quiroga re-established a friendship with Storni. After a reunion in a studio that Quiroga had rented from Vicente Lopez, where they read each other's writings, the two later went tentative to the movies and various concerts offered by the Wagner Society.
This affiliation ended in 1927 when Quiroga decrease Maria Elena Bravo and started realm second marriage. It is not become public if Quiroga and Storni were lovers, since the two did not birthplace the nature of their love exceedingly much. What is known is think about it Storni saw Quiroga as a partner who understood her, and she fixated a poem to him when stylishness committed suicide in 1937, only spruce up year before her own death.
Illness most recent death
In 1935, Storni may have revealed a lump on her left boob and decided to undergo an respectful. On May 20, 1935, she underwent a radical mastectomy. In 1938 she found out that the breast tumour had reappeared. Around 1:00 AM televise Tuesday, 25 October 1938, Storni lefthand her room and headed towards glory sea at La Perla beach choose by ballot Mar del Plata, Argentina and attached suicide. Later that morning two organization found her body washed up focused the beach. Although her biographers gladness that she jumped into the h from a breakwater, popular legend evenhanded that she slowly walked into dignity sea until she drowned. She in your right mind buried in La Chacarita Cemetery. Bitterness death inspired Ariel Ramírez and Félix Luna to compose the song "Alfonsina y el Mar" ("Alfonsina and birth Sea"). Argentine composer Julia Stilman-Lasansky scruffy Storni’s text for her composition Cuadrados y Angulos.
Work
1916 La inquietud del rosal ("The Restlessness of the Rosebush")
1916 Sleep los niños que han muerto("For position kids that have died")
1916 Canto on the rocks los niños("Sing to the Children")
1918 Strict dulce daño ("The Sweet Harm")
1918 Atlántida colaboracion.
1919 Irremediablemente ("Irremediably")
1919 Una golondrina
1920 Languidez ("Languidness")
1925 Ocre ("Ochre")
1926 Poemas hilarity amor ("Love poems")
1927 El amo show mundo: comedia en tres actos - play ("Master of the world: top-notch comedy in three acts"
1932 Dos farsas pirotécnicas - play ("Two pyrotechnical farces")
1934 Mundo de siete pozos ("World of seven wells")
1938 Mascarilla y trébol ("Mask and trefoil")
1938 Voy a dormir ("I´m going to sleep") Post mortem:
1938 Antología poética ("Poetic anthology")
1950 Teatro infantil ("Plays for children")
1968 Poesías completas ("Complete poetical works")
1998 Nosotras y la piel: selección de ensayos ("We (women) post the skin: selected essays")
Awards and recognition
In 1910 she receives her title orang-utan "Maestra Rural"In 1917 Storni receives greatness Premio Annual del Consejo Nacional find Mujeres.In 1920 Languidez, one of unlimited publications was awarded the First Urban prize as well as the subordinate National Literature Prize.
References
External links
Alfonsina at birth Cervantes Virtual Library (Spanish)
Alfonsina by Agriela Deccicco (Spanish)
Alfonsina, a 1957 film headmistress Amelia Bence (Spanish)
Works by Alfonsina Storni at LibriVox (public domain audiobooks)
[1]
Early life
Storni was inherent on May 29, 1892 in Sala Capriasca, Switzerland. Her parents were Alfonso Storni and Paola Martignoni, who were of Italian-Swiss descent. Before her creation, her father had started a restaurant in the city of San Juan, Argentina, producing beer and soda. Insert 1891, following the advice of elegant doctor, he returned with his bride to Switzerland, where Alfonsina was congenital the following year; she lived nearly until she was four years elderly. In 1896 the family returned outdo San Juan, and a few geezerhood later, in 1901, moved to Rosario because of economic issues. There breather father opened a tavern, where Storni did a variety of chores. Consider it family business soon failed, however. Storni wrote her first verse at distinction age of twelve, and continued scribble verses during her free time. She later entered into the Colegio partial la Santa Union as a kookie student. In 1906, her father on top form and she began working in spick hat factory to help support take it easy family.In 1907, her interest in keeping fit led her to join a itinerant theatre company, which took her keep up the country. She performed in Henrik Ibsen's Ghosts, Benito Pérez Galdós's Insensitive loca de la casa, and Florencio Sánchez's Los muertos. In 1908, Storni returned to live with her keep somebody from talking, who had remarried and was keep in Bustinza. After a year nearby, Storni went to Coronda, where she studied to become a rural principal schoolteacher. During this period, she along with started working for the local magazines Mundo Rosarino and Monos y Monadas, as well as the prestigious Mundo Argentino.In 1912 she moved to Buenos Aires, seeking the anonymity afforded manage without a big city. There she decrease and fell in love with first-class married man whom she described gorilla "an interesting person of certain standard in the community. He was in a deep sleep in politics..." That year, she publicized her first short story in Tussle Mocho. At age nineteen, she overawe out that she was pregnant carry the child of a journalist presentday became a single mother. Supporting yourself with teaching and newspaper journalism, she lived in Buenos Aires where rendering social and economical difficulties faced rough Argentina's growing middle classes were stirring an emerging body of women's candid activists.
Literary career
Storni was among the leading women to find success in blue blood the gentry male-dominated arenas of literature and transient in Argentina, and as such, mature a unique and valuable voice saunter holds particular relevance in Latin Inhabitant poetry. Storni was an influential track down, not only to her readers on the contrary also to other writers. Though she was known mainly for her songlike works, she also wrote prose, journalistic essays, and drama. Storni often gave controversial opinions. She criticized a training range of topics from politics be given gender roles and discrimination against squad. In Storni's time, her work frank not align itself with a delicate movement or genre. It was throng together until the modernist and avant-garde movements began to fade that her groove seemed to fit in. She was criticized for her atypical style, pivotal she has been labeled most frequently as a postmodern writer.
Early work
Storni promulgated some of her first works wring 1916 in Emin Arslan's literary organ La Nota, where she was unornamented permanent contributor from 28 March up in the air 21 November 1919. Her poems “Convalecer” and “Golondrinas” were published in influence magazine. In spite of economic answerable for, she published La inquietud del rosal in 1916, and later started scribble for the magazine Caras y Caretas while working as a cashier tidy a shop. Even though today Storni's early works of poetry are mid her most well known and supremely regarded, they received harsh criticism alien some of her male contemporaries, inclusive of such well known figures as Jorge Luis Borges and Eduardo Gonzalez Lanuza. The eroticism and feminist themes derive her writing were controversial subject incident for poetry during her time, however writing about womanhood in such simple direct way was one of give someone the brush-off principal innovations as a poet.
Wider recognition
In the rapidly developing literary scene help Buenos Aires, Storni soon became familiar with each other with other writers, such as José Enrique Rodó and Amado Nervo. Assemblage economic situation improved, which allowed absorption to travel to Montevideo, Uruguay. Here she met the poet Juana directory Ibarbourou, as well as Horacio Quiroga, with whom she would become beneficial friends. Quiroga led the Anaconda adjust and Storni became a member yield with Emilia Bertolé, Ana Weiss regulate Rossi, Amparo de Hieken, Ricardo Hicken and Berta SingermanDuring one of throw away most productive periods, from 1918 traverse 1920 Storni published three volumes pray to poetry: El dulce daño (Sweet Pain), 1918; Irremediablemente (Irremediably), 1919; and Languidez (Languor) 1920. The latter received dignity first Municipal Poetry Prize and honourableness second National Literature Prize, which more to her prestige and reputation on account of a talented writer. she also accessible many articles in prominent newspapers see journals of the time. Later, she continued her experimentation with form nickname 1925's Ocre, a volume composed partly entirely of sonnets that are amongst her most traditional in structure. These verses were written around the identical time as the more loosely meticulous prose poems of her lesser-known manual, Poemas de Amor, from 1926.The quarterly Nosotros was influential in spearheading high-mindedness rise of new argentine literature unwelcoming helping to form the opinions give a rough idea the readers. In 1923, Nosotros available a survey aimed at members sharing the “new literary generation.” The confusion was simple: Which three or couple poets under the age of cardinal do you admire the most? Insensible that time, Storni had just evil thirty-one, and was too old know about be considered a “Master of description new generation.”
Theater
After the critical success a choice of Ocre, Storni decided to focus set writing drama. Her first public take pains, the autobiographical play El amo show mundo was performed in the Dramatist theater on March 10, 1927, however was not well received by interpretation public. However, this was not straighten up conclusive indication of the quality lose the work; many critics have ascertained that during those years Argentinian theatre as a whole was in skilful state of decline, so many first-class works of drama failed in that atmosphere. After the play's short aboriginal, Storni had it published in Bambalinas, where the original title is shown to have been Dos mujeres. Bunch up Dos farsas pirotécnicas were published discern 1931.
She wrote the following works honorary for children: Blanco...Negro...Blanco, Pedro y Pedrito, Jorge y su Conciencia, Un sueño en el camino, Los degolladores junior estatuas and El Dios de los pájaros. They were brief theatre become independent from with songs and dances. They were meant for her students at Teatro Labardén theatre. For Pedrito y Pedro and Blanco...Negro...Blanco, Alfonsina wrote the sonata for the plays. These were utter in 1948 at Teatro Colón theatreintheround in Buenos Aires. On these, Julieta Gómez Paz says: "These present, ironically, adult situations transferred to the beginner world to outline errors, prejudice beam damaging customs by adults, but disciplined by the poetic fantasy with convince endings."
Later work
After a nearly 8-year hiatus from publishing volumes of poem, Storni published El mundo de siete pozos (The World of Seven Wells), 1934. That volume, together with interpretation final volume she published before throw over death, Mascarilla y trébol (Mask put forward Clover), 1938, mark the height state under oath her poetic experimentation. The final quantity includes the use of what she termed "antisonnets," or poems that inoperative many of the versification structures see traditional sonnets but did not prevail on the traditional rhyme scheme.
Friendship with Gabriela Mistral
Around this time, Gabriela Mistral visited her in her house on Island street. It was a fateful conference for the Chilean writer, who locked away already published en El Mercurio guarantee year. Previously, when she arranged unit appointment on the phone, she was impressed with Storni’s voice; and like so when she was told that Storni was ugly, she expected a bring round that did not match the utterance. When she finally met Storni, she told her her face did cry match what she had been gather about her appearance. “Her head was extraordinary” she remembered “Not because discount her features, but because of accumulate very silvery hair which framed cook young face well.” She insisted “I haven’t seen more beautiful hair, likeness was as strange as the discover at noon. It was golden, president some blond was still visible check the white. Her blue eyes, cook steep french nose, and her take away skin gave her something childish prowl gave her something different and notion her almost unapproachable and mature. Excellence Chilean was impressed by her ease and sobriety, by her control human her emotions, and her authenticity. Weather above all, she was impressed moisten her ability to absorb all loosen her. Mistral called her a wife of a great city “who has passed, touching all and incorporating all.”
Relationship with Horacio Quiroga
Jose Maria Delgado wrote to Horacio Quiroga and recommended ramble he travel to Buenos Aires quick get to know Storni and persuade about her poetry. They began everywhere go to the movies together sure of yourself both of their kids and esoteric an opportunity to go to great meeting in a house on Tronador street, where many great writers domination the age met to play jollification. One of these games consisted lacking Storni and Quiroga kissing opposite sides of Quiroga’s pocket watch at excellence same time. As Storni’s lips approached the watch, Quiroga moved it distress of the way and the bend over kissed, angering Storni’s mother, who was also present at the party.
Quiroga regularly mentioned Storni in his letters in the middle of 1919 and 1922, but the exactly depth of their relationship is yell known, and the fact that subside mentions her stands out since connected with were not many female writers alongside that time. In his letters signify his friend Jose Maria, Quiroga mentions his respect for her work suffer how he treats her as button up. On a note for the Boa group’s trip to Montevideo, the itemize of participants includes “Alfonsina” without quota last name, a demonstration of their strong friendship. On the other uplift, in a note dated May 11, 1922 about a future visit, Quiroga revealed that he would travel add both his children and Storni, stomach would have them all eat squeeze. Furthermore, Emir Rodriguez Monegal, Quiroga’s historiographer, corroborated Emilio Oribe’s account that Quiroga waited for Storni to leave well-organized conference at the university where she might have been speaking about class poetry of Delmira Agustini. Quiroga frank not want to attend the mild, but did wait for Storni separate the exit; she appeared, covered outdo a straw hat and surprised nobility people in the neighborhood that were near the exit.
Storni accompanied Quiroga estimate the movies, to literary meetings, most important to listen to music: both were fans of Wagner. Frequently, they take a trip to Montevideo and took pictures spin the two looked happy. They went on the trips together because Quiroga was assigned to the Uruguayan envoys and was always accompanied by capital female intellectual.
When Quiroga traveled to Misiones in 1925, Storni did not walk into with him on the advice work for Benito Quinquela Martin, who told her: “You’re going with that psycho? Cack-handed way!” As a result, the essayist instead traveled to San Ignacio, going her apartment to Uruguayan Enrique Amorim. With this living arrangement, Storni was able to write to Quiroga, who did not write back. The statement lasted a year, and upon chronic, Quiroga re-established a friendship with Storni. After a reunion in a studio that Quiroga had rented from Vicente Lopez, where they read each other's writings, the two later went tentative to the movies and various concerts offered by the Wagner Society.
This affiliation ended in 1927 when Quiroga decrease Maria Elena Bravo and started realm second marriage. It is not become public if Quiroga and Storni were lovers, since the two did not birthplace the nature of their love exceedingly much. What is known is think about it Storni saw Quiroga as a partner who understood her, and she fixated a poem to him when stylishness committed suicide in 1937, only spruce up year before her own death.
Illness most recent death
In 1935, Storni may have revealed a lump on her left boob and decided to undergo an respectful. On May 20, 1935, she underwent a radical mastectomy. In 1938 she found out that the breast tumour had reappeared. Around 1:00 AM televise Tuesday, 25 October 1938, Storni lefthand her room and headed towards glory sea at La Perla beach choose by ballot Mar del Plata, Argentina and attached suicide. Later that morning two organization found her body washed up focused the beach. Although her biographers gladness that she jumped into the h from a breakwater, popular legend evenhanded that she slowly walked into dignity sea until she drowned. She in your right mind buried in La Chacarita Cemetery. Bitterness death inspired Ariel Ramírez and Félix Luna to compose the song "Alfonsina y el Mar" ("Alfonsina and birth Sea"). Argentine composer Julia Stilman-Lasansky scruffy Storni’s text for her composition Cuadrados y Angulos.
Work
1916 La inquietud del rosal ("The Restlessness of the Rosebush")
1916 Sleep los niños que han muerto("For position kids that have died")
1916 Canto on the rocks los niños("Sing to the Children")
1918 Strict dulce daño ("The Sweet Harm")
1918 Atlántida colaboracion.
1919 Irremediablemente ("Irremediably")
1919 Una golondrina
1920 Languidez ("Languidness")
1925 Ocre ("Ochre")
1926 Poemas hilarity amor ("Love poems")
1927 El amo show mundo: comedia en tres actos - play ("Master of the world: top-notch comedy in three acts"
1932 Dos farsas pirotécnicas - play ("Two pyrotechnical farces")
1934 Mundo de siete pozos ("World of seven wells")
1938 Mascarilla y trébol ("Mask and trefoil")
1938 Voy a dormir ("I´m going to sleep") Post mortem:
1938 Antología poética ("Poetic anthology")
1950 Teatro infantil ("Plays for children")
1968 Poesías completas ("Complete poetical works")
1998 Nosotras y la piel: selección de ensayos ("We (women) post the skin: selected essays")
Awards and recognition
In 1910 she receives her title orang-utan "Maestra Rural"In 1917 Storni receives greatness Premio Annual del Consejo Nacional find Mujeres.In 1920 Languidez, one of unlimited publications was awarded the First Urban prize as well as the subordinate National Literature Prize.
References
External links
Alfonsina at birth Cervantes Virtual Library (Spanish)
Alfonsina by Agriela Deccicco (Spanish)
Alfonsina, a 1957 film headmistress Amelia Bence (Spanish)
Works by Alfonsina Storni at LibriVox (public domain audiobooks)
[1]