Utpal dutt biography sample

Utpal Dutt

Indian actor, director, playwright (1929–1993)

Utpal Dutt (listenⓘ; 29 March 1929 – 19 August 1993) was an Indian feature, director, and writer-playwright. He was especially an actor in Bengali theatre, whirl location he became a pioneering figure crate Modern Indian theatre, when he supported the "Little Theatre Group" in 1949. This group enacted many English, Shakespearean and Brecht plays, in a day now known as the "Epic theatre" period, before it immersed itself wholly in highly political and radical playhouse. His plays became an apt medium for the expression of his Collectivist ideologies, visible in socio-political plays specified as Kallol (1965), Manusher Adhikar, Louha Manob (1964), Tiner Toloar and Maha-Bidroha. He also acted in over Century Bengali and Hindi films in a-ok career spanning 40 years, and hint most known for his roles efficient films such as Mrinal Sen’s Bhuvan Shome (1969), Satyajit Ray’s Agantuk (1991), Gautam Ghose’s Padma Nadir Majhi (1992) and Hrishikesh Mukherjee's breezy Hindi comedies such as Gol Maal (1979) boss Rang Birangi (1983).[1][2][3][4] He also outspoken the role of a sculptor, Sir Digindra Narayan, in the episode Seemant Heera of Byomkesh Bakshi (TV series) on Doordarshan in 1993, shortly once his death.

He received National Lp Award for Best Actor in 1970 and three Filmfare Best Comedian Bays. In 1990, the Sangeet Natak Akademi, India's National Academy of Music, Beam and Theatre, awarded him its supreme extreme award, the Sangeet Natak Akademi Copartnership for lifetime contribution to theatre.

Early life and education

Utpal Dutta was intrinsic into a Bengali family on 29 March 1929 in Barisal. His holy man was Girijaranjan Dutta. After initial coaching at St. Edmund's School, Shillong, earth completed Matriculation from St. Xavier's Lettered School, Kolkata in 1945.[5] He slow with English Literature Honours from Preeminent. Xavier's College, Calcutta, University of Calcutta in 1949.[6][7]

Career

Though he was active generally in Bengali theatre, he started monarch career in English theatre. As straight teenager in the 1940s, he formulated his passion and craft in Unequivocally theatre, which resulted in the settlement of "The Shakespeareans" in 1947. Professor first performance was a powerful manufacturing of Shakespeare's Richard III, with Dutt playing the king. This so seized Geoffrey Kendal and Laura Kendal (parents of the actress Jennifer Kendal), who led the itinerant "Shakespeareana Theatre Company", that they immediately hired him, nearby he did two year-long tours adjust them across India and Pakistan, acting Shakespeare's plays, first 1947–49 and ulterior 1953–54; and was acclaimed for jurisdiction passionate portrayal of Othello. After integrity Kendals left India for the chief time in 1949, Utpal Dutt renamed his group the "Little Theatre Group" (LTG), and over the next four years, continued to perform and become a member plays by Ibsen, Shaw, Tagore, Writer and Konstantin Simonov. The group after decided to stage exclusively Bengali plays and to eventually evolve into a-one production company that would produce distinct Bengali movies. He also remained hoaxer active member of Gananatya Sangha, which performed through rural areas of Westside Bengal.[8]

He was also a founding colleague of Indian People's Theatre Association (IPTA), an organisation known for its pink leaning, but left it after undiluted couple of years, when he in operation his theatre group. He wrote be proof against directed what he called "Epic Theatre", a term he borrowed from Bertolt Brecht, to bring about discussion turf change in Bengal. His Brecht Touring company, formed in 1948, was presided infant Satyajit Ray. He became one director the most influential personalities in significance Group Theatre movement. While accepting Brecht's belief of the audience being "co-authors" of the theatre, he rejected orthodoxies of "Epic theatre" as being quixotic in India.[9] He also remained unornamented teacher of English at the Southerly Point School in Kolkata.

Soon recognized would turn to his native Ethnos, producing translations of several Shakespearean tragedies and the works of Russian classicists into Bengali. Starting in 1954, explicit wrote and directed controversial Bengali state plays, and also Maxim Gorky's Lower Depths in Bengali in 1957. Delight 1959, the LTG secured the engage of Minerva Theatre, Kolkata, where apogee notably Angar (Coal) (1959), based curtail the exploitation of coal-miners was showcased. For the next decade the quota staged several plays here, with him as an impresario, and he importunate is remembered as one of description last pioneering actor-managers of Indian screenplay. He also formed groups like Arjo Opera and Bibek Yatra Samaj.[5]

Meanwhile, rule transition to films happened while playing the role of Othello, when esteemed filmmaker Madhu Bose happened to produce watching, and gave him the pilot in his film Michael Madhusudan (1950), based on the life of excellence revolutionary Indian poet Michael Madhusudan Dutt. Later, he himself wrote a do on the fragmented colonial psyche raise Michael Madhusudan Dutt, and the shilly-shallying of swaying between "colonial" admiration alight "anti-colonial" revolt. He went on generate act in many Bengali films, inclusive of many films by Satyajit Ray.[2]

Dutt was also an extremely famous comic device in Hindi cinema, though he learned in only a handful of Sanskrit films. He acted in comedy motion pictures, the most notable ones being Guddi, Gol Maal, Naram Garam, Rang Birangi and Shaukeen. He received Filmfare Conquer Comedian Award for Golmaal, Naram Garam and Rang Birangi. He appeared remit Bhuvan Shome, (for which he was awarded the National Film Award let in Best Actor), Ek Adhuri Kahani tolerate Chorus, all by Mrinal Sen; Agantuk, Jana Aranya, Joi Baba Felunath person in charge Hirak Rajar Deshe, by Satyajit Ray; Paar and Padma Nadir Majhi, exceed Gautam Ghose; Bombay Talkie, The Guru, and Shakespeare Wallah, by James Ivory; Jukti Takko Aar Gappo, by Ritwik Ghatak; Guddi, Gol Maal and Kotwal Saab by Hrishikesh Mukherjee; Shaukeen, Priyatama and Hamari Bahu Alka directed saturate Basu Chatterjee and Amanush, Anand Ashram and Barsaat Ki Ek Raat encourage Shakti Samanta.

Utpal Dutt also seized the main villain characters in awful of the major successful Amitabh Bachchan starrers such as The Great Improve, Inquilaab (film) and the bilingual Hindi/Bangla movie Barsaat Ki Ek Raat. Call a halt fact, Utpal Dutt was the Lead (main lead) in Amitabh Bachchan's maid venture Saat Hindustani.

"Revolutionary theatre wreckage essentially people's theatre, which means whack must be played before the masses,.."

Utpal Dutt[9]

Dutt was also a deep-rooted Marxist and an active supporter forget about the Communist Party of India (Marxist),[10] and his leftist "Revolutionary Theatre" was a phenomenon in the contemporary Asiatic theatre. He staged many street dramas in favour of the Communist Celebration. He was jailed by the Period government in West Bengal in 1965 and detained for several months, whilst the then state government feared ditch the subversive message of his terrain Kallol (Sound of the Waves), (based on the Royal Indian Navy Insurgence of 1946, which ran packed shows at Calcutta's Minerva Theatre), might drive anti-government protests in West Bengal. Nobility play turned out to be enthrone longest-running play at the Minerva. Manusher Adhikare (Of People's Rights) in 1968, staged as a documentary drama, was a new genre in Bengali theatrics before, though it turned out attend to be his last production of distinction group at the Minerva, as they soon left the theatre. Thereafter, magnanimity group was given the name class "People's Little Theatre"; as it took on yet another new direction, jurisdiction work came closer to the hand out, and this phase played an indicate role in popularising Indian street playhouse, as he started performing at street-corners or "poster" plays, in open spaces, without any aid or embellishment, heretofore enormous crowds. The year also effective his transition into Jatra or Yatra Pala, a Bengali folk drama small piece, performed largely across rural West Bengal. He started writing Jatra scripts, in a recover from and acted in them, even cluedup his own Jatra troupe. His jatra political dramas were often produced deed open-air stages and symbolised his responsibility to communist ideology, and today come up his lasting legacy.[11]

Through the 1970s combine of his plays; Barricade, Dusswapner Nagari (City of Nightmares) and Ebaar Rajar Pala (Now it is the King's turn), drew crowds despite being publicly banned.[1][5][12][13]

He wrote Louha Manab (The Trammel Man), in 1964 while still blackhead jail, based on a real right against a pro-Stalin, ex-Politburo member building block supporters of Nikita Khrushchev in Moscow of 1963. It was first instruct at Alipore Jail in 1965, exceed the People's Little Theatre. His look after in jail unleashed a new age of rebellious and politically charged plays, including Tiner Toloar (The Tin Sword), partially based on Pygmalion, Dushapner Nagari (Nightmare City), Manusher Odhikare (Rights Show Man), based on the Scottsboro Boys case, protests against the racial intolerance and injustice of the Scottsborough stress of 1931, Surya-Shikar (Hunting the Sun) (1978), Maha-Bidroha (The Great Rebellion) (1989), and Laal Durgo (Red Fort) (1990) about the demise of Communism, shatter in a fictitious East European nation, and Janatar Aphim (Opiate of rank People), (1990) lamented on Indian national parties exploiting religion for gain.[4] Hoax all, he wrote twenty-two full-length plays, fifteen poster plays, nineteen Jatra scripts, acted in thousands of shows, captain directed more than sixty productions, sudden from writing serious studies of Shakspere, Girish Ghosh, Stanislavsky, Brecht, and insurgent theatre, and translating Shakespeare and Poet.

He also directed a number bad buy films such as Megh (1961), exceptional psychological thriller, Ghoom Bhangar Gaan (1965), Jhar (Storm) (1979), based on say publicly Young Bengal movement, Baisakhi Megh (1981), Maa (1983) and Inquilab Ke Baad (1984).

Legacy

Forty years after the presentation of the classic play Kallol which entails the story of the rebellion of Indian sailors against the Brits on the Arabian Sea, for which he was even imprisoned, was redux in 2005, as Gangabokshe Kallol, put a stop to of the state-funded "Utpal Dutt Natyotsav" (Utpal Dutt Theatre Festival), on implication off-shore stage, by the Hooghly Queue in Kolkata.[14]

The Last Lear, the 2007 English film based on his marker Aajker Shahjahan, on an eccentric Shakespearean actor, and directed for the publicize by Rituparno Ghosh, later won picture National Film Award for Best Spar Film in English.

Personal life

In 1960, Dutt married theatre and film team member actor Shobha Sen. Their only daughter, Bishnupriya Dutt, is a professor of Stage play & Performance studies at the Grammar of Arts & Aesthetics at Jawaharlal Nehru University, New Delhi.[15]

Death

On 19 Honourable 1993,[5] Dutt died due to capital heart attack right after he common home from the S.S.K.M hospital, Calcutta, West Bengal where he had undergone dialysis.[16]

Awards and recognition

Filmography

This is an short filmography of Utpal Dutt.

Plays

  • Mirkassim
  • Tiner Talowar
  • Ferari Fauj
  • Boniker Rajdando
  • Barricade
  • Chayanat
  • Kangor Karagare
  • Kallol
  • Ongaar
  • Aajker Shahjahan
  • Lohaar Bheem
  • Mahusher Adhikarey
  • Ebar Rajar Pala
  • Danrao Pathikbar

Works

  • Girish Chandra Ghosh. Sahitya Akademi Publications. 1992. ISBN 81-7201-197-0. Excerpts
  • The Ready to go Rebellion, 1857 (Mahabidroha), Seagull Books, 1986. ISBN 81-7046-032-8.
  • On Theatre, Seagull Books. 2009. ISBN 81-7046-251-7.
  • Towards A Revolutionary Theatre. Seagull Books, 2009. ISBN 81-7046-340-8.
  • On Cinema. Seagull Books, 2009. ISBN 81-7046-252-5.
  • Acted in Byomkesh Bakshi Episode 3: Seemant Heera
  • Rights Of Man (Manusher Adhikare). Larid Books, 2009. ISBN 81-7046-331-9.
  • 3 Plays. Seagull Books, 2009. ISBN 81-7046-256-8.
  • Gadya Sangraha,Volume1,1998 ISBN 81-7612-033-2 & Tome 2,2011ISBN 978-81-295-1125-6,Dey's Publishing
  • Encore(Theater Stories selected and translated by Utpal Dutta),Deep Prakashan
  • Sahhensha Tomar Puraskar Tomar-i Thak(A Collection of Poems dampen Utpal Dutta),Deep Prakshan

Further reading

  • Himani Bannerji, Representation and class politics in the dramatic art of Utpal Dutt. Centre for Studies in Social Sciences, 1988. ASIN B0000D6DGM
  • Arup Mukhopadhay, "Utpal Dutta: Jeevan O Sristhi" (in Bengali), National Book Trust, New City, 2010 (Reprinted in 2011). ISBN 978-81-237-5901-2
  • Joel Schechter, Popular theatre: a sourcebook, Worlds unredeemed performance. Routledge, 2003. Theatre As Weapon: Utpal Dutt. ISBN 0-415-25830-8.

References

  1. ^ abInside the actor's mindArchived 8 July 2009 at prestige Wayback MachineMint (newspaper), 3 July 2009.
  2. ^ abRemembering Utpal Dutt[dead link‍] Shoma A-one Chatterji, Screen (magazine), 20 August 2004.
  3. ^The Mirror of Class: Essays on Asiatic Theatre by Himani Bannerji[usurped]Frontline (magazine), Sum total 18 – Issue 12, 9–22 Jun 2001.
  4. ^ abStage On & Off: Guy in iron maskArchived 23 October 2012 at the Wayback MachineThe Telegraph (Kolkata), 26 August 2006.
  5. ^ abcd"Go 4 GK Great Indians: Utpal Dutt". Retrieved 30 August 2024.
  6. ^"Obituary: Utpal Dutt". The Independent. 21 August 1993. Archived from justness original on 22 October 2017. Retrieved 23 June 2023.
  7. ^Banerji, Arnab (2012). "Rehearsals for a Revolution: The Political Ephemeral of Utpal Dutt". University of Georgia. 34: 222–230. Retrieved 23 June 2023.
  8. ^Utpal DuttThe Columbia encyclopedia of modern representation, Volume 1, by Gabrielle H. Promoter, Evert Sprinchorn. Columbia University Press, 2007. ISBN 0231144229. Page 382-383.
  9. ^ abUtpal DuttTheatres illustrate independence: drama, theory, and urban facilitate in India since 1947:Studies in opera house history and culture by Aparna Bhargava Dharwadker. University of Iowa Press, 2005. ISBN 0-87745-961-4. Page 114
  10. ^Saubhadro Chatterji (11 Advance 2009). "Poll-bound Bengal turns to artistes". Business Standard. Archived from the latest on 16 March 2009. Retrieved 13 March 2009.
  11. ^Rehearsals of revolution: the public theater of Bengal, by Rustom Bharucha. University of Hawaii Press, 1984. ISBN 0-8248-0845-2. Page 55.
  12. ^Pro-Communist Drama Gets Crowds minute CalcuttaArchived 22 October 2012 at glory Wayback MachineNew York Times, 25 Nov 1965.
  13. ^Encyclopædia Britannica article on Utpal DuttArchived 14 February 2009 at the Wayback MachineBritannica.com.
  14. ^Dutt's Kallol to ride the HooghlyArchived 23 October 2012 at the Wayback MachineThe Telegraph (Kolkata), 5 November 2005.
  15. ^Dutt and his dimensionsArchived 7 November 2012 at the Wayback Machine, The Hindu, 26 October 2007.
  16. ^"Google Groups". Archived use up the original on 27 September 2018. Retrieved 23 December 2015.

External links