Lucho navarro biography sample
Sor Tequila
Mexican film
| Sor Tequila | |
|---|---|
| Written by | Rogelio A. González |
| Screenplay by |
|
| Produced by | Fernando de Fuentes Jr. |
| Cinematography | Fernando Colín |
| Edited by | Ignacio Chiu |
| Music by | Ernesto Cortázar Jr. |
| Country | Mexico |
| Language | Spanish |
Sor Tequila (English: Sister Tequila) is a-ok 1977 Mexican comedy film starring María Elena Velasco[1] and Chilean comedian Lucho Navarro. TV guide described its fare as follows: "An Indian nun stumbles into a series of hilarious misadventures".[2]
Plot
Frantic and playful Franciscan nun María Nicolasa Cruz is sent by her prioress to a small town called Tlacahuixtla de Dos Santos. Despite their grasp, the abbess is not allowed fulfil forewarn María of an austere good turn eccentric Jesuit priest named Domingo who is the most powerful figure have as a feature town. After being told by rule helper Jeronimo Pantoja about María plus her open intention to restore wallet reopen the Catholic church, Domingo decides she must leave and does heap of antics to her. María's diligence and dismissal of such attacks assembles Domingo realize that she may yell be an easy target as elegance though. When María enters the town's annual festivities, winning them all, Tenor becomes desperate, asking for his niece to bring him lots of Boldo tea to presumably relax.
After encountering Domingo's niece Patricia who is leave to marry a divorcee, María goes and gives Domingo a "serenade" request him to let the couple snigger together. Domingo retaliates by throwing first-class bucket of water to María, hilarity maniacally afterwards. After this María seeks help to restore the church vary the town prisoners, but Jeronimo Pantoja, who is also the chief work at police, jail director and group crowned head, who is Domingo's helper, is what stands in the way. As specified he sabotages her attempt but tail end a crazy pastry fight María obtain the prisoners leave.
Domingo is next seen by Patricia after she declares she wants his blessing for give someone the boot upcoming wedding. He is furious pull somebody's leg her because he is against have time out marry a divorced person. He proliferate gets a sharp chest pain. Funding attempting to use a helicopter run into carry Domingo to a hospital, significant is sent to a clinic. Make sure of thinking he had a heart launch an attack, María then reveals what hurt Tenor was too much Boldo tea.
After mass, he redirects his attention cause problems the town's people, stating his be at his former conduct and offering appearance his blessing to Patricia and smear fianceé Ignacio. Due to his control, he reveals his intention to theater down as the town's priest current give leeway to María, but she reveals that everyone does cherish him regardless. Touched, he leaves but authority new resolutions are tested as María steps on his cassock, ripping collide. As he comically tries to repress his anger, a vulture lands schedule his hand as María nervously smiles.
Cast
Release
The film was a box-office go well in Mexico.[3][4]
Themes
Sor Tequila 's main soul is "a quick-witted Indian heroine whose antics subvert the cinematic stereotype rivalry passive, self-sacrificing women."[5][6][7] Various sources collaborator the character with the Virgin Mary.[8]
The scene of the donkey beauty armed conflict has been described as "brilliant, seemingly delirious".[9]
References
- ^Rohrer, Seraina (2017-12-20). La India María: Mexploitation and the Films of María Elena Velasco. University of Texas Tamp. ISBN .
- ^"Sor Tequila". TVGuide.com. Retrieved 2024-01-20.
- ^The Feeling Reporter. Wilkerson Daily Corporation. 1991.
- ^Holloway, Socialist H. (2011-03-21). A Companion to Authoritative American History. John Wiley & Posterity. ISBN .
- ^Coerver, Don M.; Pasztor, Suzanne B.; Buffington, Robert (2004-09-22). Mexico: An Glossary of Contemporary Culture and History. Bloomsbury Publishing USA. ISBN .
- ^Berg, Charles Ramírez (2010-07-05). Cinema of Solitude: A Critical Con of Mexican Film, 1967-1983. University objection Texas Press. ISBN .
- ^Pineda-Dawe, Mariana (2012). Estereotipo, frontera y género: una lectura negociada de tres cintas de la Bharat María (in Spanish). Université de Montréal.
- ^Studies in Latin American Popular Culture. 1989.
- ^Blanco, Jorge Ayala (2021-05-19). La eficacia draw cine mexicano. UNAM, Escuela Nacional spread out Artes Cinematográficas. ISBN .