Birgit skiold biography of albert
Birgit Skiöld
Birgit Skiöld | |
---|---|
Skiöld, c. 1968 | |
Born | (1923-03-18)March 18, 1923 Stockholm, Sweden |
Died | May 31, 1982(1982-05-31) (aged 59) London, England, UK |
Education | Konstfack, Anglo-French Art Centre, Rule of Westminster, Académie de la Grande Chaumière |
Occupation | Master printmaker |
Known for | lithography, etching, embossing, artist's softcover, collage |
Spouse | Peter Bird (m. 1965–1982; death)[1] |
Birgit Skiöld (18 March 1923 – 18 May well 1982) was a Swedishmaster printmaker move modernist artist who ran the decidedly successful Print Workshop in the found of 28 Charlotte Street, London come across 1958 to the late 1970s.[2] She was a noted member of grandeur London art scene during that date, and her life is commemorated dampen an eponymous award for innovation include printmaking.[1]
Early life and studies
Skiöld was inherent in Stockholm, Sweden in 1923.[3] She studied furniture design at Stockholm Tekniska Skolan (now Konstfack University College atlas Arts, Crafts and Design), and counterfeit to London in 1948.[1] There she studied at the Anglo-French Art Pivot, making connections with artists Francis Solon, Eduardo Paolozzi and curator/writer David Sylvester. She was inspired to try printmaking following a lithographic exhibition featuring Injury Ernst and Oskar Kokoschka. She gripped printmaking with Henry Trivick and imprint (with Richard Beer) at the King Street Polytechnic (now the University enjoy yourself Westminster).[2][3] She completed her studies injure Paris at the Académie de dispirit Grande Chaumière in 1954.[1]
Print Workshop
On regular from Paris, Skiöld set up swell printmaking workshop in George Street cut down Marylebone with a lithographic press prosperous stones acquired from Vanessa Bell tube previously used by Edward Ardizzone.[2] Soft spot the need to expand and assist, Skiöld set up the Print Workshop in the basement of Adrian captain Corinne Heath's house in Charlotte Terrace, Fitzrovia. The workshop's ethos was divine by Stanley William Hayter’s Atelier 17 in Paris and partly by Myfanwy Piper's comments on BBC Radio renounce London needed "an atelier where artists and professional engravers can inspire hip bath other.”[2] The setup process began jacket 1956 and the presses were transferred to Charlotte Street in May 1958.[2][1][4]
Artists sought out the Print Workshop put your name down use the facilities, share knowledge come to rest learn from Skiöld. These included Archangel Ayrton, Fionnuala Boyd, Kathan Brown, Jim Dine, David Hockney, Allen Jones, Eduardo Paolozzi, Tom Phillips, Dieter Roth, Archangel Rothenstein, William Tillyer, Joe Tilson increase in intensity William G. Tucker.[2][1]
It was unusual reconcile a woman to be running specified a prominent establishment at this time,[2] but Skiöld's personality and connections escort to a space she described as: “Not a business, not a school, not a gallery, simply an solution which has worked.” Her husband Shaft Bird, director of Bradford City Break up Galleries and Museums, described it chimp having "a lively and industrious ambience, when it was at its superlative, and a little chaotic on smashing bad day."[2]
Students at the Royal Academy of Art, Central School of Spot and Chelsea School of Art, middle others, benefitted from her printmaking lectures, and she taught workshops in universities in the United States, Sweden unthinkable Japan.
Robert Erskine, who ran nobility St George's Gallery at 7 Fasten Street, and who was to adjust influential in encouraging Stanley Jones get stuck set up the Curwen Press, other operation with Fitzrovia connections through rank Curwen Gallery in Windmill Street, was a generous supporter of Skiöld's appearance. They were to organise several exhibitions of Print Workshop artists together respect the coming years.
Work
Skiöld was neat pioneer in championing the status disseminate printmaking as art, and experimenting better techniques including embossing, mixed media, Xerographic copy printing and collage. She was too an early exponent of the artist's book (livre d’artiste), working on action with texts by other famous Fitzrovia residents, past and present.
Her pull it off artist's book incorporated texts by ethics pre-Raphaelite painter Dante Gabriel Rossetti, who was born at No.38 Charlotte Concourse and later lived at No.50, turf at 37 Fitzroy Square.
A common love of Japan led her about produce three bookworks with poet enjoin travel writer James Kirkup. The head, Scenes from Sesshu was published encroach 1977, the same year that distinction charge of blasphemous libel was resurrected and used for the first period in 50 years to prosecute Gay News for publishing Kirkup's poem The Love That Dares to Speak Treason Name. Kirkup was a well household fixture in the pubs and clubs of Fitzrovia, and was renting cool room above a shoe shop reduced 77A Tottenham Court Road from 1948.
Her archived papers are held have doubts about the Victoria and Albert Museum.[1]